Belgian online magazine “Darkentries” reviews “Seven Sonnets”

July 18, 2016

Technically, this neoclassical, but it is not ‘warm’ neoclassical where you see the fairies flutter on a sunny summer day on the grass. This is chilly neoclassical, as a heavy walk through the snow from the icy north wind in. newest CD “Seven Sonnets” is reviewed at darkentries.be Dark Entries is an independent online music…

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“Unknown woman” on The Guardian “pick of the week”

June 20, 2016

Music theatre piece of Melanie Wilson co-composed with Glowicka has been on “The Guardian’s” pick of the week. Melanie Wilson reimagines the operatic form in Opera for the Unknown Woman at the Lawrence Batley, Huddersfield, as part of the Yorkshire festival, which also has lots of street theatre over the next few days.  

Several new reviews of Seven Sonnets

June 18, 2016

In May and June several independed German websites write favourable reviews of “Seven Sonnets”. Culturmag (an online platform for music reviews),Bad Alchemy (German Audiomagazine devoted to the avantgarde of music) and Westzeit magazine. Fragment of “Culturmag” review by Tina Manske: “Glowicka’s style, her nonconformist handling of electronic possibilities and idiosyncratic, not complacency seeking harmonies, are…

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Seven Sonnets at Aural Aggravation

May 4, 2016

Christopher Nosnibor writes at “Aural Agravation” about new CD “Seven Sonets” fragment from review: ‘Sweet love’ builds subtle drama, Glowicka skipping lightly through Sonnet LVI, before ‘All Naked’, a stripped-back audiowork which is spun around Sonnet XXVI concludes the album, leaving the listener feeling… how precisely does the listener feel? The power of any work…

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Belgian ‘Rifraf’ reviews ‘Seven Sonnets’

May 4, 2016

Upcoming edition of Belgian music magazine ‘Rifraf‘ from 16.05.2016 reviews ‘Seven Sonnets’. In the section “Love on the bits” a short review by Fabrice Vanoverberg. Below an excerpt: “with extraordinary strength of conviction Glowicka manages to take us into the century of Shakespeare, and that without sounding stuffy or overly intellectual.” For more, read Rifraf…

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Premiere of “Opera for the unknown woman” approaching

May 4, 2016

  With co-composer and director Melanie Wilson and “Fuel” company we are working on new production – “Opera for the Unknown Woman”  Opera for the Unknown Woman is a bold re-imagining of the operatic form, weaving together theatre, contemporary classical music, electronics and film. The talented ensemble includes Patricia Rozario OBE and Adey Grummet (Jerry Springer…

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“Requiem for an Icon” featured at radio RDC, Warsaw

October 28, 2015

Dziś w radio RDC w “Pan od Kultury” o 17:30 audycja o “Requiem dla Ikony” http://t.co/fObPWo0fZq

“Jazz n More” on “Red Sun”

October 28, 2015

May issue of the magazine “Jazz n More”  publishes review of ‘Red Sun’. Below an excerpt: All sound phenomena happen in time and space. But few sound artists use those dimensions specifically to make it the exclusive theme of their compositions as do the two Polish women: Glowicka and Walentynowicz in “Red Sun”. The piano and the…

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“Muzyka 21” reviews “Red Sun”

October 28, 2015

Polish online art magazine Muzyka 21 has published an article on music of Glowicka. Polish critic Jan Topolski writes his impressions about the new CD ‘Red Sun’: What makes the music of Katarina Głowicka special? First of all space. Deep and extensive. As in ambient music. Built by reverbs, echoes and electronics. Against this background – a…

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